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With preset names such as 'Darkness Falling', 'Edge Of A Nightmare' and 'Give Me Novakaine Kit', this offers a perfect foil to cleaner material, especially when you need to shock your listeners. Mutations 2 is darker than Mutations, especially with the added mayhem of its Trigger FX options (think, perhaps, Slipknot compared with Nine Inch Nails). The Trigger FX do add a lot of flexibility, enabling you to punctuate passages with ease, and are a great addition.
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Mutations 2 has over 300 instruments, a radically new metallic interface and a clever new set of Trigger FX features that use an octave's worth of notes for keyswitched triggering of various extra effects during your real‑time performance (a version 1.5 upgrade is also available to Evolve users, offering the same benefits). High‑tension stings and industrial effects sit side by side with delicately droning pads, chilling chimes and treated pianos, so this collection could work across a wide variety of musical genres.
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Yet, at the same time, it's not a one‑trick pony, since as well as the plethora of hard‑hitting impacts, rusty kits and mangled riffs there are plenty of more delicate instruments and motifs to relieve the tension and balance things out. Mutations offers 275 instruments and an enhanced version of the original Evolve front panel, with more comprehensive control over envelope and effects, and the first thing that struck me about it was its attitude and sonic impact.
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All three Evolve libraries have their contents carefully sorted into Rhythmic Suites Percussive Kits Stings and Transitions and Tonality and FX, to make it quicker for professional users to find something suitable for their project when on a deadline. With Evolve Mutations and Mutations 2, they have delved even deeper into this rich vein of creativity, exploring darker and more sinister themes across the total of some 600 Kontakt instruments/multis and 3.5GB of 24‑bit sampled content. Evolve offered all its looped elements beat‑sliced and neatly spread out across the musical keyboard, so you could very quickly dovetail together a multitude of unique variations to suit any tempo, and avoid those "I'm sure I've heard this somewhere before” comments from your customers. Where many collections of this type go wrong is in only providing pre‑mixed loops: dramatic they may be, but flexible they ain't.
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We fully expect this library to become hugely popular but if you're in any doubt, let us put it another way: if you want to compose music for TV and film, Evolve is an essential purchase.Back in SOS October 2008, we raved about the 'high‑quality sonic weirdness' of Heavyocity's original flagship product, Evolve, created to provide film, TV, games and other visual media composers with a one‑stop shop of dramatic percussion, looped instrumental phrases, treated melodic instruments, stings, builds and transitions.
#HEAVYOCITY EVOLVE DEMO UPDATE#
In fact, this could prove to be Evolve's only Achilles heel: it may become ubiquitous over the next year or so and we desperately hope Heavyocity will continue to update content for Evolve so that the sounds here don't become too familiar.
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It has been built to save composers and sound designers countless hours and it hits the nail squarely on the head. It's enough to personalise the sounds a touch though, in truth, this is designed primarily to be a 'load and play' library. There's even a reasonable amount of editing possible within each Instrument, with the Kontakt Player offering Amp Envelope control, parameters for the in-built Reverb and Delay modules, as well as some limited filter tweaking options. Similarly, the pitched loops are triggerable over an octave, so that you can create the harmonic content you like, while the single-pitched Instruments play across the entire keyboard range. The Kontakt Player automatically syncs to tempo too, so if you've built a loop up and suddenly decide it's all running several bpm too quickly, no problem. The looped Instruments favour 'variations on a theme' from keys C1 to C3 (and occasionally beyond), so finding a loop with the desired amount of detail is a breeze. First time around, choosing a Multi provides a good opportunity to put Evolve through its paces, as this loads eight complementary Instruments onto consecutive MIDI channels, providing an immediate palette of loops and textures.Įach Multi is appropriately named, so if you choose an Action Multi for instance, you'll find reverberant drum loops, percussive slams, weird reversed textures, pitched basslines and plenty more set up in consecutive virtual rack slots.